“ La Lupe was La Lupe, La Yolí is La Yolí. She was between a hurricane and a tsunami.” La Yolí is now an artist in her own right, and being a part of the exhibition has meant a lot to her. “She was always a rock star,” La Yolí says. It also never diminished what a powerhouse she was. Even though she went to some adversities in her life, her legacy never died.” “I feel like we really needed to let the people know who La Lupe really was and what she stood for. “Her story is under-told,” Rodriguez says. She’d recorded some of her biggest hits on Tico Records, but when her label was sold, the rest of the industry seemed to move on and forget her contributions to the genre. Though she had been a force, she experienced hardships as an artist, especially when she faced the tides of a fickle industry. That took them to La Lupe’s formidable, complex career. It was such a success that ISM wanted to open things up to the public, and they knew 2023 would be a big year, given that it’s the centennial of Tito Puente’s birth (Puente’s son, Tito Puente Jr., has been involved in the planning.)īut they also wanted to turn the spotlight on another artist who impacted the salsa world in her own indelible way. Last year, ISM found major success when it partnered with the New York International Salsa Congress, an annual dance conference, for a private event highlighting Puerto Rican salsa musician Victor Manuelle. “The way we’re going to do that is not only to showcase exhibitions, but we’re going to educate the public on what salsa is: Where did it come from? How did Africa have an impact on the music now? How did the Caribbean have an impact? How did all these things come together to create history?” “Our mission is pretty simple: It’s to preserve the past, educate the present and influence the future,” Willy Rodriguez, co-founder and executive director of ISM, says. They’ve also been working on programs to encourage a new generation of salsa artists. The exhibition fits into the museum’s multi-prong approach to honor the history of salsa and also give back to the communities where it was shaped. “Even though they went different ways, they always kept a close relationship. ![]() Puete and La Lupe,” La Lupe’s daughter Rainbow “La Yolí” Garcial tells Rolling Stone in an exclusive interview. It’s a chance to shed light on the genre right in its home of New York City, while also paying tribute to the two icons, whose creative partnership resulted in classics such as “El Rey y Yo” and “Qué Te Pedí.” Through archival footage and personal artifacts belonging to La Lupe and Puente, the museum will celebrate their individual carers and their contributions to salsa. Now, the two artists will be reunited in a first-of-its-kind exhibition presented by the International Salsa Museum and held at the New York Marriott Marquis in Times Square from Sept. When she moved to New York City after the Cuban Revolution, she kept winning people over with her masterful presence - even catching the eye of salsa legend Tito Puente, who was a collaborator and lifelong fan until her death in 1992. The Cuban singer, known for her belting power and undeniable charisma, began showing off her skills at a young age, winning local radio competitions and dazzling audiences at clubs on the island.
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